You can give him money for a razor, but he'll just spend it on booze.
Gospel Music makes twee pop, and there is better twee pop out there; I'm sure of it! If I didn't believe that, I couldn't go on. In my PopMatters review I have attempted to spell out why. An excerpt:
I think this guy Owen Holmes isn’t as clever as he’d like to be. He’s the man behind the moniker Gospel Music, an act whose output doesn’t have anything to do with gospel music, but does have plenty to do with jaunty acoustic pop and twee love songs. Holmes has this annoying habit of pausing before his “laugh lines” (I use the term loosely), as though he’s smirking at you, eyebrows wriggling, promising that THIS is going to be the wittiest thing you’ve ever heard. “Don’t call me a bore, don’t say I’m a mess / I’m not drinkin’ any more but I’m not drinkin’ ... any ... less”, and so on. That particular line graces the song “This Town Doesn’t Have Enough Bars for Both of Us”, from Gospel Music’s full-length debutHow to Get to Heaven from Jacksonville, FL. It’s an album-length ode to hangdogs, the women who settle for them, and the extremely long titles that ensue. As you read this, Holmes is probably scoring a Michael Cera movie.